The Rock Star of Yosemite

Unless you’ve been living under a rock (a very sheer, 3000′ tall granite rock), you’ve heard about the landmark free solo ascent of El Capitan that climber Alex Honnold made this week.  Free soloing is exactly as it sounds – climbing by yourself, without any safety gear to secure you to the rock except your own two hands and feet.  It’s about as risky as it gets, and when you combine free soloing with a granite face higher than the world’s tallest skyscraper…well, we just summited a whole new level of crazy.

Without any warning, without any fanfare, the internet suddenly went ablaze this week with stories of this amazing feat of physical and mental dominance.  I mean SERIOUSLY – who does this??!!  I can’t even shimmy within 5 feet of a 30 foot vertical drop without a jolt of leg-liquifying adrenaline pulsing through my vertiginous joints.  How does someone have the power and nerve to climb the incredibly flat, notoriously fragile face of a cliff that is over a half mile high?  Without ropes?  Without a safety harness?  Without a parachute or wing suit or paraglider or God knows what to ensure a pleasant glide to the bottom should one of your 3,000 steps fall short?  Can someone please explain to me….HOW DOES SOMEONE DO THIS?????

The point is, we can’t explain it.  That’s why Honnold’s story has captivated us so much.  He has single- (or, more appropriately, double-) handedly thrown not just the climbing world, but the world of rational thought into an existential tailspin.  Because it’s not just his awesome athleticism that is inspiring – climbing El Cap in under 4 hours is insane enough to make him the stuff of legends – it’s the mental muscle it took to overcome the very real, very human fear of falling/dying and will himself to do something humans (or really, any animal) aren’t supposed to do.  Didn’t he ever look down and think, “man, that’s pretty far, I kind of wish I had my ropes with me today?”

In the short snippets of interviews with Honnold that have already been released, he mentions that mental preparedness is just as important to his free solo ascents as physical fitness.  That’s why we didn’t hear anything about this landmark climb until after it was all said and done.  Heck, his MOM didn’t even know he was doing it, which in retrospect, was a fair call there, Honnold.  For him to believe, truly believe that he could do the incredible, he needed to only be surrounded by others who believed he could do it.  Too much worrying, too much hype, too high of expectations and his whole chi could go haywire.  Which pretty much meant Honnold’s circle of trust centered around himself (and a handful of National Geographic photographers, videographers, and journalists that may or may not have believed he could do it, but wisely thought it best to keep those thoughts to themselves).

In celebration of what is either the craziest or most inspiring thing to happen in Yosemite this year, I thought I’d share some rock-centric images from my April trip to the park.  Congratulations to Honnold for proving that what was once impossible can become incredible – if only we look within, and then UP.



In the early morning, warm sunshine bathes the east face of El Capitan.  Look closely and you’ll see the cables for a climbing route.
“El Cap,” as it is affectionately called, is on the west end of Yosemite Valley.  Here it is silhouetted against a sunset view of Half Dome, giving some perspective on just how tall and sheer it is.
The abstract beauty of Yosemite’s granite walls is something I never tire of.
Coffee, anyone?  Climbers waking up 1500′ above Yosemite Valley, preparing for another day of climbing the face of El Capitan.
A tributary fall spills over the east edge of El Capitan, catching the dawn light as it cascades to the rocks below.



Yosemite Winter in Black and White

No matter how advanced digital photography gets in color capturing and printing technology, there will always be a special place for black and white photography in Yosemite.

John Muir was spot-on when he christened this natural gem the “Range of Light.”  The rugged 2,000+ foot granite walls sheltering the narrow Yosemite Valley, with its northeast-southwest orientation, make for spectacular plays of reflected light and deep shadow all through the year.  Anyone who photographs in Yosemite is aware of the challenges that such hard contrasts in light can bring to a full color image.  But when viewed in black and white, these hard stops reveal texture, form, gravity, and emotion that aren’t immediately obvious in the full color scene.  There is a sensitivity and richness that comes through when the color is stripped away and the landscape laid bare.

Ansel Adams was, of course, the king of black and white Yosemite photography.  If he were alive today and had the option to record his vision in color, I wonder if he would see things differently?  I’m secretly glad he didn’t have a palette of technicolor tools at his disposal.  There’s a reason why, despite having access to advanced technology, millions of photographers continue to emulate his style.  Adams’ images are so clear, so honest, so strong yet delicate in their handling of light and darkness.  It’s like watching a ballet unfold frame by frame.  Without the beautiful distraction of color, a whole new world opens up that invites a new kind of contemplation.

This January was my first winter camping trip to Yosemite.  Although I did not approach every scene with the intent of capturing it in black and white, I found that I was often pulled that direction in my editing.  White snow, black shadows, bare tree branches outstretched against a pale gray sky…all lent themselves perfectly to the black and white approach.

What do you notice first in each of these images?  Would you see something different if they were in color?










Winter Solstice

I had forgotten it was the winter solstice when I set off for a photo walk yesterday afternoon.  I just knew it was a beautiful day and I desperately needed a break from my desk.  For the past week I have been heavily focused on editing and marketing, a task familiar to many photographers during these short dark days.  Between the sedentary nature of my tasks and a constant craving for sugar cookies, my body was aching, and it finally succeeded in sluggishly nudging me off my chair to get a little fresh air.

I grabbed my camera and my 35mm with no real goals in mind other than to have some fun and give my creativity a workout.  I happened to be at my mom’s house, which is next door to a strip of open space that I just love to walk to.  I slung my camera over my shoulder, stuffed my Fitbit into my pocket, and headed out the door to do some exploring.

Without a model, my photo walks are pretty predictable: Take a couple photos of nature.  Take a few more photos of nature.  Oooh, look at that tree!  Snap snap.  Wow, beautiful sunset.  Snap snap snap.  Ahhh, now it’s twilight.  LOVE those colors.  Snap snap snap snap snap.

As I relaxed into the evening, blissfully enjoying and engaging in the wilderness around me, I became aware of how peaceful it was.  No wind, no rain, just the silent slipping of the winter sun below the horizon as the birds called from the rushes.  I remembered then that it was the solstice, and the moment took on new meaning.  From this sunset forward darkness would cede to light, and with it the regeneration of life.  There was something very circadian about it all.  The world may be topsy turvy at times, confusingly raw and occasionally wrong, but nature will always find the balance.

When I got back home to my editing desk, I gravitated towards the images that spoke to this balance between light and dark.  I wanted the images to show a candle of hope amidst the shadows.  Though darker than my typical work, I don’t feel like they are sad or depressing, but rather emotionally deep and grounded.

There is wisdom in winter.

Happy Solstice – and may you follow the light into 2017!







Fall in Love with Yosemite


Pssst…I’l let you in on a local’s secret: Yosemite National Park is horrible in the summer.  When the waterfalls are raging and the days are long and warm, there is no place I’d rather NOT be than Yosemite.  During this extremely popular time of the year, there are throngs of people and cars clogging every walkway and road, dirty air fed by forest fires and Central Valley smog, and a dry, sweltering heat that leaves me pining for air conditioning and a freezer full of Mint Oreo ice cream.

Pretty much every month outside of June, July, and September is better for visiting, although I think Fall is the best. There’s a cool crispness to the air…mmmm, that pristine mountain kind filled with the fresh, lung-scrubbing fragrance of damp pine needles and joyously littered with a colorful confetti of falling leaves.


There’s also that glowing, golden sunshine that bathes the Valley Floor during the day, a luscious light that only comes at this time of year.  It’s warm and beautiful, especially as it illuminates the face of Half Dome in the mid-afternoon.

A face I never tire of.
I always say “I won’t photograph Half Dome this time!!”  But that’s lazy-talk.  All it takes is challenging myself to look at this classic image from a new perspective.  There are a million ways to “see” Half Dome, and I intend to capture them all!

This past weekend Steve, Mila, and I went “glamping” (i.e. tent camping, but with enough kitchenware and bedding to stock a Macy’s Home Store) in the shadow of the world’s most famous monolith.  What ensued were several days of peace and rejuvenation in this idyllic park.  Although I said I’d go easy on the photography  this trip (really, how many pictures of Yosemite Falls do I need??), I scrapped that idea once I immersed myself in the splendid beauty of Yosemite.

A recent rain storm had erased the memory of summer, wetting the soil and refilling the High Sierra watershed, bringing the famed waterfalls to life again.  The fall colors were peaking, the light was amazing, and I just couldn’t help myself!!  Scroll down to see more of my photos from our Yosemite Fall “Glamping” Trip.

Have you been to Yosemite?  If so, when is your favorite time of year to visit?  Litter my my blog with comments, I’d love to hear from you!



P.S. – One of these days I’ll post on the finer points of “glamping.”  Mila still doesn’t understand it – like why would you take all the comforts of home to someplace that’s NOT home – but believe me, it’s kind of a thing these days!

There is a certain moment at dusk when the warmth of sunset blends into the coolness of twilight.  It only lasts a minute, but it’s worth every second!
Three of the best things in life: My two favorite traveling buddies and a hot thermos of coffee.
You’re my best friend.
I was taking a picture of the berries on the dogwood tree when this little robin hopped in front of my lens – a much more interesting subject!


Curious things happen at the intersection of darkness and light.
Sooooo refreshing to see Yosemite Falls flowing again.  It always breaks my heart when the water runs dry.
When your humans take you camping, and you’re like “meh”.
The secret forest.
Camping is fun, no?
You know how hard it is to take a handheld macro shot of a patch of mushrooms in the shade?  Next time, I’m bringing a tripod. :-p
Mirror Lake…aptly named.
Serenity at Valley View.  It’s easy to miss this gorgeous vista on your drive out of the park – but trust me, it’s well worth the stop.




Beel Family Portrait Session

There’s nothing like photographing people in one of their favorite places.  Last week’s family session in Yosemite Valley with the Beels was certainly a prime example of that.  Brett and Lindsay Beel share a love for Yosemite, born of their passion for rock climbing, so it was only natural that they introduce their new little man to the mountains as soon as possible!

Nolan made his first national park visit at the tender age of 1 month and 1 day.  Yes!!!  You heard that right.  For a newborn, he weathered the outdoors unbelievably well and was quite content to be held by Mom and Dad as we played around in Cook’s Meadow.   Judging by how comfortable and relaxed he was, I’m thinking this is just the first trip of many!  Babies everywhere: the bar has been set, and it is HIGH.  🙂

Congratulations Brett and Lindsay on the new addition to your family.  I know you’ll miss Yosemite when you move to Pennsylvania, but here’s hoping that these photos remind you of your special time in California.  Thank you for inviting me to share in these memories with you.













Lake Tahoe by Boat

A couple of weeks ago Steve and I embarked on yet another camping adventure – but with a twist!  We dusted off Steve’s classic Ski Nautique, dumped all our gear into water-proof totes, and hit the road for a boat camping weekend on Lake Tahoe.

Ahoy!  Our classy (and classic) waterski boat may be small, but she is mighty.  This little lady can still turn heads – and some tight turns! – on the water.

A few things to know about boat camping:

  1. All the stuff that used to fit in the back of your truck now needs to fit in your boat.
  2. All the stuff in your boat needs to stay dry (easier said than done).
  3. Your boat still needs to FLOAT once loaded down with all your stuff.
  4. People who aren’t used to seeing tiny boats loaded 4′ high with ice chests and fire pits are going to stare at you.  Wave and smile, wave and smile…
  5. Once you get to your campground, you need to unload your stuff and get it to your campsite.  Enter wheelbarrows and very bumpy dirt trails.
  6. After you unload your stuff, you have to moor your boat.
  7. After you moor your boat, you need to get back to shore.  Oops, this is where an inflatable kayak would have come in handy…

When condensed like that, boat camping can sound like a drag!  But it really is a lot of fun. Especially at Emerald Bay, which is hands down one of the prettiest places in all of Lake Tahoe.

Emerald Bay sunrise.  Not all that glitters is green.

Camping at Emerald Bay gave me a good excuse to get up at dawn for sunrise photography.  Actually, I had zero excuse NOT to get up, as the bay was right at my feet every morning, beautiful and serene, beckoning me with bright colors or placid waters.  I had so much fun documenting its many different looks and moods in the few short days that I was there.

Hey, that’s ME!  I’ve started to “put myself in the picture” on my photography adventures.  I like how this image reminds me of my place in this moment.
Sunbursts.  I can’t help myself.  🙂
Stand-up paddle boarding is big on Lake Tahoe.  Nothing like a sunrise stroll around the bay to bring life into perspective.
When I woke up and saw that there were no clouds in the sky, I was bummed.  But then I realized that there is beauty in what is not there, too.
Every day, something different.  Maybe the clouds aren’t as dramatic, but the lake is freakishly calm.  I like how these dead branches seem to melt into the sublimely smooth water.

Sunsets, by the way, weren’t too shabby either!  Although the sun sets behind the mountains that encircle Emerald Bay, afternoon storm clouds sometimes reflect the colors of a glorious sunset, giving us a window into something that we cannot see.



Boat camping at Emerald Bay is quite remote, as there are no markets or restaurants within walking distance.  You can’t just casually jump in your car to head to the store to pick up some ice, or go for a tour around town.  What you CAN do is jump in your boat and head to the nearest marina for food, supplies, and good ol’ lakefront entertainment.

On the road again…heading to The Beacon for goods and grub.  And maybe an ice cold pint in their Sand Pit.  Lake living at its finest!
Getcha motor running’…
Just some starlings on the dock that caught my eye.

The Beacon is known for its tropical cocktail, the Rum Runner.  Perhaps señor had a few too many?

While we sipped libations in the Sand Pit and listened to live music from local bands, a rumble of thunder echoed in the distance.  I checked the weather forecast on my phone and saw a storm warning for the lake for the next hour or two.  A quick pitstop quickly turned into a dinner break as we waited out the weather.

A serious storm sweeps across Lake Tahoe.  Not unusual for summer, but you want to avoid being on the lake when weather like this blows in…

I ordered the fish and chips.  Yum yum yum.  And waited.  Midway through my third filet, I looked outside and saw light breaking on the water.  My heart skipped a beat as I registered what sunlight combined with retreating storm clouds means.  Steve’s heart skipped a beat too.  Except what he was looking at was our boat, which had broken free of its mooring.  We both ran out to the shore and got to work.

A double rainbow!  One of the most vivid displays I have ever seen.  Thank you, thank you storm and the unscheduled dinner break that kept us here for THIS.
That happy feeling you get when you successfully photograph a double rainbow.
I chided myself for leaving my tripod back in camp.  Still, I managed to get this panorama by holding my breath, steadying my camera, and twisting my torso 210 degrees.  Oouf.

While heading out on the boat to explore the lake is fun, it’s also nice to explore Lake Tahoe from land.  Good thing there are plenty of opportunities for that right from our campground.  One day we hiked the Rubicon Trail, another day we walked around the south end of the bay, and one afternoon we toured the famed Vikingsholm Castle.  Sometimes we just chilled on the beach and read a book while the waves lapped at our feet.

The Vikingsholm Castle is a fixture on Emerald Bay.  This beautiful mansion was built at the turn of the 20th century and is a study in Scandinavian art and architecture.
I think the docent said this was a peasant chair.  Um, seriously?
Meals were shared in this dining room.  Although the hostess was gracious and welcoming, it was imperative that everyone show up at the appointed hour(s) to dine together.  Yes, there were four daily meals on the schedule, and you must be present for all!
Hood ornament from one of the vintage Dodge Rams that was used to chauffeur guests to and from the mansion.
There’s something ghostly about this “sun” room…*shivers*
Fannette Island, part of the Vikingsholm estate.  The little stone structure on the top is a tea house that was used in the summer.  Now abandoned and crumbling, it sure looks creepy under a threatening sky…
Hit the trail!  Rubicon Trail is one of the prettiest in all of Lake Tahoe.
Whoever built this bridge…rocks.
You can’t fully appreciate the bold green and blue hues of Emerald Bay unless you hike above the water.  The views from the Eagle Point Trail are especially stunning.
This guy totally gets the Dad of the Year Award for power boating this kayak (and his kids) back to shore during a serious cloudburst.  Fierce.

We even got treated to a 30 minute show by one of the resident osprey of the Emerald Bay.  These birds build their nests in the tops of the tallest trees, close to the shore, so that they can scan the water for fish with their insanely sharp eyes.  Then they swoop down and it’s like, sayonara fishie.   Such is the harsh reality of life in the wild.



Those who camp with us know that, well, we don’t really “camp”, it’s kind of more like “glamp.”  As in, dehydrated veggies and meals-in-a-pouch don’t even come close to our meal kit.  Here’s an especially tasty 2014 Tolosa Central Coast Viognier that we paired with, I am not ashamed to say, bacon mac ‘n cheese.  Chowzah!

What’s in your igloo?

Would I boat camp again?  Absolutely.  Would I do it immediately?  Probably not.  It’s definitely a more expensive way to travel, if you don’t already have a boat docked on the water, and you certainly aren’t as mobile as you are on land or foot.  Some of the peace and quiet of the outdoors is, understandably, shattered when you combine outboard motors with alcohol-fueled party boats.  But on the positive side it gets you out on the water to enjoy a new perspective, and isn’t collecting new perspectives the main reason why we travel?

Until next time…here are a few more images of water fun to whet your appetite for a lake adventure.



The M.S. Dixie II on her nightly dinner cruise around Emerald Bay.  If you don’t have your own vessel, this steamboat is a fantastic way to see the lake!
Two paddle boarders strike a pose against the Nevada mountains as they cruise by the mouth of Emerald Bay.
Wheeeee!!  Who wouldn’t want to try THIS on their next trip to Lake Tahoe?

Santa, all I want for Christmas is a 400mm lens…

Last month’s trip to Yellowstone and Grand Teton National Park already feels like last year!  I edited some images and then shuttered the gallery for awhile as I focused on other photography jobs.  Today I dusted off the cover and dived in to my wildlife photographs – and boy, was I amazed.  Not necessarily amazed at myself, even though it took some definite skill to compose and take the shots, but amazed at the lens I used to capture them.  And that is why I am telling Santa…

All I want for Christmas is a 400mm lens.

A Canon 400mm f/4.0 DO IS ii, to be exact, although I know that if my accountant has anything to do with it I’ll be settling for a gently used copy of the version i lens, which I hear is just as good.  And that $4K in price difference between the two (yes, we are talking G’s here) will take me on many a wildlife safari, so I think it’s a fair bargain.  Ahhh, but I had to go ahead and rent the EXPENSIVE one, and many of the images you see here would not have been possible without it.

Baby pronghorn and mama (400mm)

It’s true, renting lenses is the way to go if you a) can’t afford the investment yet, b) want to try before you buy, or c) both.  I have rented through many times and have always had a great experience.  Renting a lens has helped me decide on which ones I need to add to my arsenal and which ones I can pass or hold off on. even shipped the 400mm lens directly to Yellowstone, so I avoided having to pay for the rental during our travel days.  Other than a slight hiccup on the part of the lodge I shipped it to (which nearly cost me my composure…oh, just nearly…), it was smooth as silk and I enjoyed all 10 days of my “vacation” with this beautiful Canon lens.

Why a 400mm lens?

There are several reasons why a 400mm lens – at least – is a MUST for wildlife photography.  Probably most importantly is that it allows you to get close to the animals without disturbing them or endangering yourself.  At least 25 yards is recommended, which is a distance that even a lens this long can barely cover.  Another reason – and this is for THIS Canon lens in particular – is that it is incredibly lightweight for its size and has image stabilization to cancel vibration.  These two things enable you to handhold your camera and still get razor sharp pictures.  I was just blown away.  I’m very much a “shoot when I see it” kind of wildlife photographer, and the thought that I could miss a great shot because I was setting up a tripod to hold a heavy lens pains me to my core.  With this lens, a monopod or tripod might help, but it isn’t always necessary.  In fact, most of the photographs here were taken without one!

Lastly, and most importantly, this 400mm lens is just a supreme piece of glass.  Sharp.  Saturated colors.  Beautiful bokeh (blurry background).  Everything you could want in a quality piece of glass, and then some.

To be honest, not all of these images were captured with the 400mm lens.  Some were taken with my trusty Canon 70-200 f/2.8 IS ii.  Also an amazing piece of glass!  I wanted to include all my wildlife images in this post.  However, if you’re wondering, most of the close-up shots of birds and large game were taken with the 400mm lens.

So, should I get a 400mm lens?

You tell me.  Or petition Santa.  I promise I’ve been very good this year! 😀

Wishing on a star,



P.S. – If you see something you like, all images are available for purchase, starting at $15 for an 8″x10″.  Message me to find out how to buy.
























Mountain Goats




Marmots & Ground Squirrels



Deer, Elk, & Moose









Yellowstone & Grand Tetons: A Different Perspective


Showing a different perspective of a popular travel destination is not without its rewards and challenges.  The Reward: we have the opportunity to show people a piece of the world that they may not have had – or might NEVER have – the chance to see.  The Challenge: we are more often than not photographing a site or scene that has been captured tens of thousands of times before (Half Dome?  Check.  Eiffel Tower?  Double-no, Triple-Check!).  There may be two dozen photographers standing next to us at any given time, capturing the same scene at the same time as we are!  Not to mention all those great images that have been taken before, and that no doubt will be taken after ours.  All this begs the question: “How will MY image stand out?”

Whether it is travel, wedding, portrait, fashion, commercial, or any other field of photography, the challenge to stand out remains the same.  An image needs to simultaneously communicate and resonate for it to have power and impact.

To increase my chances of taking memorable photographs, the two questions I try to ask myself are:

  1. How do I take a picture of X that provides a new and fresh perspective?
  2. How do I take a picture of X that communicates a feeling – either my own, that of the subject, or how I want the viewer to feel?

Both are important, and I honestly can’t tell you which comes first to me – it’s kind of a chicken and egg sort of thing.  Sometimes in the rush to capture the moment one question doesn’t get addressed, and I go back and look at my image and say, “gee whiz, I wish I would have framed my subject differently, or changed the exposure just a touch, or had a more narrow depth of field, or…”  *shaking head*  Photographers never stop living and learning through the lens!

I have been traveling through the National Parks a lot this year, primarily because I love exploring nature and have always made national parks part of my life.  But this year is the centennial, which has driven me to visit more parks and be more focused in my travel photography of these places.  Most recently I was camping through Yellowstone and Grand Teton National Parks.

We all know how heavily trafficked these parks are, especially during the time of year when I was traveling (summer).  We also know how iconic many of the features of these parks have become, from wildlife to rock formations to mountain vistas to geothermal features.  There’s not a whole lot of photography that hasn’t already been done in these parks – so my challenge was to approach each classic photo op with a fresh eye and the all-consuming goal to show things differently.

Below are a few images of iconic subjects/scenes in Yellowstone and Grand Teton National Parks, and the artistic decisions I made to show things differently.  Do you think I found a new perspective?  Did the image communicate feeling?  Yay, our nay, I’d love to hear from you in the comments section!

Everyone knows the Tetons are tall – but did you know the sky is higher?  In this image, I chose to make the wispy clouds the subject by moving the mountains to the bottom quarter of the scene.  This emphasizes the connection between weather and the mountains, telling the story of how each shapes the other.  I also took a vertical approach to this landscape, which gives extra height and scale to the photo and encourages the viewer to “look up.”
Here is another image where I took a vertical approach to a classic landscape.  Making something that is usually big (mountains) into a focal, yet small part of the scene provides visual interest and gives this landscape from Yellowstone a unique perspective.
The geothermal  features at Yellowstone are well-documented, from pictures of gushing geysers to aerial images of the Grand Prismatic Spring.  By crouching down and framing the vibrant orange patterns of this spring against the cool blue of the lake water and sky, I was able to create an abstract image that also tells the story of “fire and ice”, which is vital to the geology of this geyser basin.
Speaking of geysers, how do you take an image of Old Faithful that’s hard to replicate?  Sometimes you get lucky.  Old Faithful erupted minutes before this spectacular sunset, enabling me to backlight it’s last hisses of steam with golden light from the horizon.
Another take on Old Faithful, this time with the tourists as the subject.  By framing them at the bottom of the image, with Old Faithful at full eruption in the center, I was able to capture the simultaneous energy of both the geyser and the people watching it.



Wildlife photography opportunities are plentiful in Yellowstone, especially when it comes to pronghorns.  Yes, I’ll admit, I took plenty of pictures of these animals grazing and chewing their cud!  But with a lot of patience, and some good fortune, I was able to capture the three images above which show natural emotions (love/security), features (eyes), and activities (grooming) of these amazing animals.



I love love LOVE color, so naturally I wanted to focus on the amazing color palette at the geysers and thermal pools in Yellowstone.  Picking an interesting feature as the subject (first picture), having my husband pose against a vibrant thermal backdrop (second picture), and using the unique picoted crust of the pool to frame the waters within (third picture) are three different techniques I used to bring a different perspective to these iconic pools.




The lovely old barns at the Mormon Homestead at Grand Teton National Park are some of its most photographed features.  Most photographers will show up before dawn to capture the first rays of light hitting the barns, with the Tetons softly illuminated in the background.  Few would attempt a midday shoot because balancing the exposure of the structures with the mountains proves to be darn-near impossible.  But with some creative black and white editing (first picture), focusing on barn details that are more evenly illuminated (second and third pictures), and moving the structures to the background to tell a different story (fourth picture), I was able to make good use of “bad” light – and was forced to come up with new ways of photographing this landmark in the process!



Yellowstone may be the biggest national park in the United States, but it’s the small wonders that make it it truly special.  While photographing bison and big geysers is an obvious must-do for any nature or travel photographer, I also chose to focus on the tiny details to show that this park really is the sum of its parts.  With help from some backlighting (first picture), selective focus (second picture), and creative composition (second picture) I attempted to show the ordinary in an extraordinary way.


Stories of struggle are very real in nature, but are often glossed over by stunning photographs of snow-capped mountains or ocean sunsets.  In these two pictures, I try to show a different side of two nature icons: a bison and a forest.  By shooting in the middle of the day and editing in black and white, the bison’s rough winter coat and weary stance become the focus and tell a story of strength gained through hardship.  The bottom image of a stand of dead trees tells the story of the devastating Yellowstone fires.  This story is strengthened by an overcast sky that gives the illusion of smoke when edited in black and white.




Finally, a national park trip is not complete without a trip to towns that surround it to get a taste of the local flavor (ok, and I’ll admit, maybe an ice cold beer or ice cream cone, too). The four images above all evoke a sense of place that is indigenous to the towns, yet is also shared with the neighboring national park.